Volker Schlondorff's Cinema

Examines the work of major postwar German director Volker Schlöndorff in historical, economic, and artistic contexts. Incorporating a film-by-film, twenty-eight chapter study, Hans-Bernhard Moeller and George Lellis reveal a complexity and formal ambitiousness of Schlöndorff’s work that are comparable to the work of Wenders, Herzog, and Fassbinder.