Ink-Stained Hollywood

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie businessa cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers,Ink-Stained Hollywoodtells the story ofhow a heterogeneous trade press triumphed by appealing to thefoundational aspects of industry culturetaste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator,Film Mercury, andCamera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism's relationship with the motion picture industry and its continued impact on creative industries today.