Epic and Exile

The antifascist exile beginning in 1933 led to a cooling among the emigres of the artistic and literary modernist experiments of the Weimar Republic and to a return to realism and the traditional novel form. Epic and Exile examines the Popular Front- oriented cultural initiatives of the 1930s less in terms of their political strategy than in their function as a cultural and literary program for the exiles, implying a specific relationship to questions of artistic form, historical conceptions, and indeed the political as such. A popular front aesthetics is, Bivens argues, realist and modernist at once, and, in its focus on the opacities and contradictions of everyday life as a historical formation, it is particularly concerned with problems of the epic form.