Death of a Salesman

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room."e;By common consent, this is one of the finest dramas in the whole range of the American theater."e; —Brooks Atkinson, The New York Times"e;So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it."e; —Time