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Critical Race Theory and Copyright in American Dance
Critical Race Theory and Copyright in American Dance
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Critical Race Theory and Copyright in American Dance

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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.
Undertittel
Whiteness as Status Property
ISBN
9781137321978
Språk
Engelsk
Utgivelsesdato
7.11.2013
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