Way a Line Hallucinates Its Own Linearity

Danielle Vogel's newest collection creates a latticework for repairthe repairing of past trauma, the calling-into-presence of a dissociated selfbut does so while keeping the material of this net of thinking in a fragmented, diaphanous state, glowing in the space between the poem and essay. Across three sections of ';displacements,' ';miniatures,' and ';volume,' Vogel initiates readers into the seance of the book; she asks the reader to hold vigil for the most crucial phase of its composition, which can only happen when the reader and she meet at the site of the page, within a ';new, interrupted unity.' In The Way a Line Hallucinates its Own Linearity, accordwriting with, reading withis always a verb, always kinetic, alchemical, and alive. ';It only takes one letter on the page,' Vogel writes, ';and we are already inside one another's lungs.' To consent to walk through these spaces is to give up that part of you that wishes to remain anonymous and un-entrained. You will be grateful that you did.