The Impostor - The Narrative Tricks of Jaber Al-Basri

Akaky Akakievich, the hero of Nikolai Gogol''s The Overcoat, accompanied me to the bus station in the city center. (He actually followed me; I didn''t welcome his company.) He gave me a broken look as I boarded the bus.I felt I had been harsh with him when we had chatted in the café a few moments earlier, but I didn''t regret it. From the beginning of our meeting, Akakievich had realized that I preferred Jonathan Noel, the hero of Patrick Süskind''s The Dove. But he didn''t pay much attention, and it seemed to me he hadn''t even recognized the person I was favoring."At least Jonathan has some dignity!" I said, unnecessarily angry.I noticed the harshness in my expression. Akakievich lowered his head in a vaguely broken tone. After a while, he tried to speak, but stammered. He spoke indistinctly. He spoke with his usual slurred speech. I paid him no attention, for I was angry with him for some unknown reason, and turned my face toward the café''s glass window. When I got up and paid the bill, he followed me and started walking behind me, a few steps behind.