This volume approaches Tabish Khair's writings (both his theoretical proposals and his novels) from numerous different perspectives. Contributors engage from varied critical stances with Khair's academic writings in a fruitful dialogue, analyze his social, political and religious concerns, and elucidate his characteristics as a novelist and his literary powers. Furthermore, this volume is highly enriched by the presence of a hitherto unpublished play by Khair, entitled The One Percent Agency, which focuses on a tourism agency specializing in bringing "e;Bollywood"e;-style Indian weddings to foreign tourists. In the process, it becomes a satirical commentary on the packaging of international tourism as well as the ability of common Indians to adapt and thrive. It depicts the "e;metropolitan"e; India of the new millennium and inter-community relations in subtle and powerful ways.