Qing Dynasty Fu Study Draft Produced by Zhonghua Book Company

The research field of Cifu has always emphasized the Dafu of the Han Dynasty and the law of Tang and Song Dynasty. Although Yu Ming and Qing Ci Fu has paid attention, but it cannot be compared with the previous generation. This book focuses on the study of Fu in the Qing Dynasty in order to promote the deepening of research in this field. This book discusses from five aspects: The first is the cultural policy and the revival of Fu in the early Qing Dynasty, especially the erudite examination held in the eighteenth year of Kangxi. In order to attract Han scholars into official positions, poetry propositions were used. This action stimulated the prosperity of Fu creation and theory. The second is the re-fu of Guange Hanyuan in the Qing Dynasty, and the examinations, library classes, loose museums, and university examinations all took the examination of Fu. Therefore, the study of Fu was an important homework for the people of the time. For this reason, various selections of pavilions and fus emerged, and Hanyuan fu style led the literary world. Thirdly, due to the examination of Fu in Hanyuan, the discussion of Fu became the focus of Fu theory in Qing Dynasty, and Fu especially paid attention to the revealing of Fu. The fourth is that compared with the previous generations, the fu studies in the Qing Dynasty not only prevailed in the pavilions, but also showed a strong regional color. Fifth, the relationship between fu studies in Qing Dynasty and other art forms was extremely close. Shufu, painting fu and writing novels with fu were more popular, and fu style spread to various art categories. This book combines literature research with theoretical interpretation, reveals the development law of Fu study in the Qing Dynasty through case studies, and tries to make up for the deficiencies of Fu study.