Routledge Studies in Metaphysics

<p>This volume examines the ontology of music groups. It connects two fascinating areas of philosophical research: the ontology of social groups and the philosophy of music.</p><p>Interest in questions about the nature of music groups is growing. Since people are widely familiar with music groups, the topic is particularly well-suited for introducing issues in social ontology. Being comparably small-scale and temporary, music groups also provide an excellent case study for those who think that social groups are analyzed best by considering small groups. The present volume provides a comprehensive overview of the topic and seeks to establish the ontology of music groups as a distinct field of philosophical research. The chapters, written by leading scholars working on social ontology, revolve around four core themes:</p><ol> <li>The identity of music groups</li> <li>Variations between different kinds of music groups</li> <li>The persistence and longevity of (different kinds of) music groups</li> <li>Various characteristics of music groups, including their rational and emotional aspects, as well as their creative abilities</li> </ol><p>The contributors consider these themes across a wide range of music groups, including popular music groups, rock bands, alternative acts, hip hop crews, choirs and classical orchestras.</p><p><em>The Ontology of Music Groups </em>will appeal to scholars and advanced students working in social ontology, metaphysics, and the philosophy of music.</p>