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Critical Race Theory and Copyright in American Dance
Tallenna

Critical Race Theory and Copyright in American Dance

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
Alaotsikko
Whiteness as Status Property
Painos
1st ed. 2013
ISBN
9781349458196
Kieli
englanti
Paino
310 grammaa
Julkaisupäivä
7.11.2013
Sivumäärä
243