Critical Observations on the art of Dancing; to Which is Added, A Collection of Cotillons or French Dances. By Giovanni-Andrea Gallini

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Trinity College Library Watkinson Collection

T153314

'A new collection of forty-four cotillons' has separate title-page, pagination and register. With a list of subscribers. Variant of 'A new collection of forty-four cotillons' has music plates engraved on both sides of the leaf and numbered. In this edition, the dedication is addressed to the Duchess of Argyll.

London: printed for the author; and sold by R. Dodsley; T. Becket, and P. A. de Hondt; J. Dixwell; and Mr. Bremner's music shop, 1765?]. 10],184;10, 48]p., plates: engr.music; 8