Aesthetics of Belonging

After centuries of colonial rule, the end of Angolas three-decade civil war in 2002 provided an irresistible opportunity for the government to reimagine the Luanda cityscape. Awash with petrodollars cultivated through strategic foreign relationships, President Jos Eduardo dos Santos rolled out a national reconstruction program that sought to transform Angolas capital into what he considered to be a modern, world-class metropolis. Until funds dried up in 2014, the programin conjunction with sweeping private investments in real estateinvolved mass demolitions of vernacular architecture to make way for high-rise buildings, large-scale housing projects, and commercial centers. The program thus underestimated the values enshrined in the materials and designs of Luandas existing informally constructed neighborhoods, or musseques.The Aesthetics of Belonging explores the political significance of aesthetics in the remaking of the city. Claudia Gastrows archival and ethnographic work, which includes interviews with city planners, architects, nonprofit leaders, and urban dwellers, shows how government infrastructure projects and foreign-inspired designs came to embody displacement and exclusion for many. This, Gastrow argues, catalyzed a countermovement, an aesthetic dissent rooted in critically reframing informal urbanism as Indigenousa move that enabled the possibility of recognizing the political potential of informal settlements as spaces that produce belonging.