The cinematic map that is created when Pride and Prejudice is translated into Joe Wright's 2005 filmic adaptation is the distance about which Jean Baudrillard theorizes in his book Simulacra & Simulation (1981), "e;...between the real and the imaginary, [that] tends to abolish itself, to be reabsorbed on behalf of the model"e; (121). The model cast by the film adaptation precedes and determines the reading of the literature from the page. There is no way to reset this precession. The reader is in a predetermined and prejudiced hyperreal state of which they are little aware, provided with the presence of ghosts as simulacra for the imaginary.