Attachment Film, Emotion, and Cognition is a bold intervention that seeks to center the bodily and affective dimensions of film traditionally regarded as "e;feminine"e;.The author uses attachment theory in an interdisciplinary framework with an emphasis on biology and a species-based understanding of pro-social behavior to approach films about attachment motivations. By blending affective and cognitive neuroscience research with tendencies deeply embedded in the humanities, this book makes a major contribution to the field of cognitive film theory. The focus on attachment theory also makes a meta-generic address via its focus on romance and melodrama that makes it useful for other narratives that overlap affective and generic boundaries. The book presents a model of attachment-film experiences with its inbuilt shifts in affective and cognitive regulative processes and makes an ambitious case for how engagement with attachment film viewing can be understood from both a universal and an individual perspective.