This book contains conversations with nineteen African American classical musicians currently performing-or who have previously performed-in America's major symphony orchestras. Each chapter focuses on the story of one musician and sheds light on the realities of African American musicians playing in a musical environment that absolutely forbade their membership over half a century ago.These conversations explore the deeply ingrained prejudices that some hold against African American people in symphony orchestras, conservatories, and other musical institutions. By amplifying these voices, the book provides a variety of perspectives on the almost cloistered world of these beloved institutions. The stories and lessons shared in this book will be invaluable to music students, teachers, and orchestral professionals.