During Israel's military operation in Gaza in the summer of 2014 the commanding officer of the Givati infantry brigade, Colonel Ofer Vinter, called upon his troops to fight "e;the terrorists who defame the God of Israel."e; This unprecedented call for religious war by a senior IDF commander caused an uproar, but it was just one symptom of a profound process of religionization, or de-secularization, that Israeli society has been going through since the turn of the twenty-first century.This book analyzes and explains, for the first time, the reasons for the religionization of Israeli society, a process known in Hebrew as hadata. Jewish religion, inseparable from Jewish nationality, was embedded in Zionism from its inception in the nineteenth century, but was subdued to a certain extent in favor of the national aspect in the interest of building a modern nation-state. Hadata has its origins in the 1967 war, has been accelerating since 2000, and is manifested in a number of key social fields: the military, the educational system, the media of mass communications, the teshuvah movement, the movement for Jewish renewal, and religious feminism. A major chapter of the book is devoted to the religionization of the visual fine arts field, a topic that has been largely neglected by previous researchers.Through careful examination of religionization, this book sheds light on a major development in Israeli society, which will additionally inform our understanding of the Israeli-Palestinian conflict. As such, it is a key resource for students and scholars of Israel Studies, and those interested in the relations between religion, culture, politics and nationalism, secularization and new social movements.