Father Comes Home from the Wars

"By turns philosophical and playful, lyrical and earthy, "Father Comes Home From the Wars (Parts 1, 2 & 3), swoops, leaps, dives and soars, reimagining a turbulent turning point in American history through a cockeyed contemporary lens... The wonder of Ms. Parks's achievement is how smoothly she blends the high and the low, the serious and the humorous, the melodramatic and the grittily realistic... The finest work yet from this gifted writer." - Charles Isherwood, "New York Times"
"Can one-third of something already be a masterpiece? Seems like it to me... People long for stories that engage the deepest possible issues in the most gripping possible ways. "Father Comes Home From the Wars" is one of those stories--or maybe more than one." - Jesse Green, "New York"
Offered his freedom if he joins his master in the ranks of the Confederacy, Hero, a slave, must choose whether to leave the woman and people he loves for what may be another empty promise. As his decision brings him face to face with a nation at war with itself, the ones Hero left behind debate whether to escape or wait for his return, only to discover that for Hero, freedom may have come at a great spiritual cost. A devastatingly beautiful dramatic work, "Father Comes Home From the Wars (Parts 1, 2 & 3)" is the opening trilogy of a projected nine-play cycle that will ultimately take us into the present.
In 2002 Suzan-Lori Parks became the first African-American woman to receive the Pulitzer Prize for Drama, for her play "Topdog/Underdog." Her other plays include "The Book of Grace," "In the Blood," "Venus," "The Death of the Last Black Man in the Whole Entire World," "Fucking A," "Imperceptible Mutabilities in the Third Kingdom" and "The America Play." In 2007 her "365 Days / 365 Plays" was produced in more than seven hundred theaters worldwide. Parks is a MacArthur Fellow and the Master Writer Chair at the Public Theater.