John Barth represents most completely what has been termed postmodernism, not because his work comprises more postmodernist features than other contemporary writers but because, for Barth, "e;life"e; and "e;art"e; are two sides of the same coin. In this brief study, first published in 1987, Heide Ziegler examines all Barth's novels. She argues that each pair of novels first "e;exhausts"e; and then "e;replenishes"e; those literary genres that hinge on a particular world view: the existentialist novel, the Bildungsroman, the Kunstlerroman, or the realistic novel. Through the division of labour between character and author Barth manages to develop a new mode of literary parody which projects itself beyond the mocked literary model and even self-parody into the realm of future fiction. This book is ideal for students of literature and postmodern studies.