Dans Intertextualite surrealiste dans la poesie de Rene Char, Julie S. Kleiva montre comment la figure d'Artine, initialement une representante du surrealisme charienne, se transforme en une image complexe, polymorphe et considerablement presente a travers l' uvre de Rene Char (1907-1988). En adoptant une approche intertextuelle, Kleiva soutient que la figure d'Artine represente la force deroutante au c ur de l'imagination poetique charienne. L'image revenante d'Artine favorise l'idee d'une continuite dans l' uvre poetique de Char malgre la rupture articulee au milieu des annees 30. In Intertextualite surrealiste dans la poesie de Rene Char, Julie S. Kleiva demonstrates how the initially surrealist figure of Artine becomes a complex, polymorphus and, most importantly, significally present image throughout the work of the French poet Rene Char (1907-1988). By adopting an intertextual approach, Kleiva argues that the figure of Artine is a disturbing and confusing creative agency that corresponds to the core of Char's poetry. The reappearing image of Artine serves to demonstrate that Char's poetic rupture of the years from 1935-1937 has been exaggerated, and must be viewed as a development rather than a clean break.