
Immortal Sin
The canvas was by a craftsman named Josef Vilnius and was suitably named Man Walking in the Moonlight. Kalu Adams had never known about Vilnius, however it was an intriguing piece with regards to that the tones appeared to change contingent upon the hour of day: the blues and greens and golds brilliant and happy when she noticed the artistic creation during the evening, the shades more solemn and stifled when she showed up at the exhibition in the evening. The progressions in shade were particularly confusing since they didn't have anything to do with the exhibition's inside lighting and appeared to be some peculiarity intrinsic in the artistic creation itself. It was generally impossible to miss, and it had stepped Kalu back to Underwood's endlessly time once more.