This book examines Roman facades decorated with fresco and sgraffito between the fifteenth and sixteenth centuries that once enveloped the central rioni of Rome within a web of symbolic social, political, and familial allegiances that transformed a street-side stroll into a visually engaging experience. Today, many of these faces are lost, and our understanding of what they comprised is frighteningly incomplete. This book offers a refreshed look at this often-forgotten facet of Renaissance visual culture to reignite interest in the tradition before its last remnants disappear. In addition to offering a new compilation of these documented facades, this book also places new emphasis on the making and meaning of these "e;painted faces"e; to provide new insights into the place of the decorated facade at the intersections of patron identity and painterly innovation in a city working tirelessly to reinvent itself.