Form and Foreskin

Why did Saint Augustine ask God to "e;circumcise [his] lips"e;? Why does Sir Gawain cut off the Green Knight's head on the Feast of the Circumcision? Is Chaucer's Wife of Bath actually-as an early glossator figures her-a foreskin? And why did Ezra Pound claim that he had incubated The Waste Land inside of his uncut member? In this little book, A. W. Strouse excavates a poetics of the foreskin, uncovering how Patristic theologies of circumcision came to structure medieval European literary aesthetics. Following the writings of Saint Paul, "e;circumcision"e; and "e;uncircumcision"e; become key terms for theorizing language-especially the dichotomies between the mere text and its extended exegesis, between brevity and longwindedness, between wisdom and folly. Form and Foreskin looks to three works: a peculiar story by Saint Augustine about a boy with the long foreskin; Sir Gawain and the Green Knight; and Chaucer's Wife of Bath's Tale. By examining literary scenes of cutting and stretching, Strouse exposes how Patristic treatments of circumcision queerly govern medieval poetics.