Søkt på: Bøker av Dolores Tierney
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Ana M. López
Ana M. L pez is one of the foremost film and media scholars in the world. Her work has addressed Latin American filmmaking in every historical period, across countries and …
Emilio Fernandez
Emilio Fernandez: Pictures in the Margins is the first book-length English language account of Emilio Fernandez (1904-1986) the most successful director of classical Mexican …
New Transnationalisms in Contemporary Latin American Cinemas
In the late 1990s and early 2000s Latin American films like Amores perros, Y tu mama tambien and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in …
Contemporary Latin American Cinema
Through a textual analysis of six filmmakers (Alejandro Gonzalez Inarritu, Alfonso Cuaron, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan Jose Campanella), this …
Emilio FernáNdez
Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican …
Latsploitation, Exploitation Cinemas, and Latin America
Exploring the much neglected area of Latin American exploitation cinema, this anthology challenges established continental and national histories and canons which often exclude …
Latsploitation, Exploitation Cinemas, and Latin America
Exploring the much neglected area of Latin American exploitation cinema, this anthology challenges established continental and national histories and canons which often exclude …
New Transnationalisms in Contemporary Latin American Cinemas
Several Latin American films ('Amores Perros', 'Y Tu Mama Tambien', 'Cidade de Deus', 'Central do Brasil', 'Nueve Reinas', 'El Hijo de la Novia') enjoyed an unprecedented level of …
Ana M. Lopez
Ana M. Lopez is one of the foremost film and media scholars in the world. Her work has addressed Latin American filmmaking in every historical period, across countries and …
Global Cult Cinemas
Global Cult Cinemas calls for a decolonisation of cult film studies. To date, discourses of cult cinema have predominantly focused upon Anglo-American cinema and its reception …