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J'etais a leurs cotes dans le couloir de la mort
La realite de l'enfer carceral texan... Pouvez-vous vous imaginer un seul instant ce que cela fait de savoir qu'on va mourir ? Moi je le sais ! En cet enfer ou je me trouve, je le …
Actors' Lives
Boys from Syracuse
From 1905 to the crash of 1929, Sam Shubert (1874-1905) and his brothers Lee (1874-1953) and J. J. (1878-1963), despite poor beginnings and near-illiteracy, created a theater …
Music for the Melodramatic Theatre in Nineteenth-Century London and New York
Throughout the nineteenth century, people heard more music in the theatre - accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, …
Red and the Black
Critical wisdom has it that we said a long goodbye to film noir in the 1950s. Robert Miklitsch begs to differ. Pursuing leads down the back streets and alleyways of cultural …
Main Street Festivals
Main Street America is kicking up its heelsand you're invited to the party! Goodbye sprawl-and-mallhello downtown! Long-neglected town centers are coming to life once again, and …
Staging Desire
Staging Desire gathers critical and biographical essays on notable stage personalities who made their mark before 1969, when the Stonewall riots accelerated the lesbian and gay …
Laughing Mad
Winner of the 2008 Katherine Singer Kovacs Book Award Prior to the civil rights movement, comedians performed for audiences that were clearly delineated by race. Black comedians …
Monologues from Shakespeare's First Folio for Older Men
Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and …
You Fascinate Me So
He penned songs such as "e;Witchcraft"e; and "e;The Best Is Yet to Come"e; (signature tunes for Frank Sinatra and Tony Bennett, respectively) and wrote such …
Suzan-Lori Parks in Person
This collection of interviews offers unprecedented insight into the plays and creative works of Suzan-Lori Parks, as well as being an important commentary on contemporary theater …