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Drawing and Experiencing Architecture
How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the …
Strange Blood – The Rise and Fall of Lamb Blood Transfusion in Nineteenth–Century Medicine and Beyond
In the mid-1870s, the experimental therapy of lamb blood transfusion spread like an epidemic across Europe and the USA. Doctors tried it as a cure for tuberculosis, pellagra and …
Waiting – A Project in Conversation
Waiting is an inescapable part of life in modern societies. We all wait, albeit differently and for different reasons. What does it mean to wait for a long period of time? How do …
Emerging Bodies
The concept of "worldmaking" is based on the idea that "the world" is not given, but rather produced through language, actions, ideas and perception. This collection of essays …
Contemporary PerforMemory – Dancing through Spacetime, Historical Trauma, and Diaspora in the 21st Century
Contemporary PerforMemory looks at dance works created in the 21st century by choreographers identifying as Afro-European, Jewish, Black, Palestinian, and …
Science Fiction im Radio
Literarische Interventionen im deutsch-jüdischen Versöhnungsdiskurs seit 1945
Resilient Bodies, Residual Effects – Artistic Articulations of Borders and Collectivity from Lebanon and Palestine
What does it take to cross a border, and what does it take to belong? Sandra Noeth examines the entangled experiences of borders and of collectivity through the perspective of …
Creative Networks and the City
This book offers a fundamental contribution to the literature on the creative industries and the knowledge-based economy by focusing on three aspects: urban spaces as key sites of …
British White Trash – Figurations of Tainted Whiteness in the Novels of Irvine Welsh, Niall Griffiths, and John King
"White trash" is a liminal figure that dramatizes the intersection of race and class. Contemporary British novelists like Irvine Welsh, Niall Griffiths and John King use this …