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Lost in the Funhouse
John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, …
Polysexuality
Mixing documents, interviews, fiction, theory, poetry, psychiatry and anthropology, "Polysexuality" became the encyclopedia sexualis of a continent that is still …
Sot-Weed Factor
This is Barth's most distinguished masterpiece. This modern classic is a hilarious tribute to all the most insidious human vices, with a hero who is "one of the most diverting . . …
Cultural Theory and Popular Culture
Whether used on its own or in conjunction with Cultural Theory and Popular Culture: An Introduction, this reader is a theoretical, analytical, and historical introduction to the …
Key Sociological Thinkers
The third edition of this popular and established core textbook provides an invaluable guide to 24 of the most influential thinkers in Sociology. Written by leading academics in …
The Arabian Nights, Volume II
Volume two in a collection of tales representing distinctive genres- from fairy tales to erotica-revealing the customs and societies in the medieval Middle East, as told by the …
Sot-Weed Factor
This is Barth's most distinguished masterpiece. This modern classic is a hilarious tribute to all the most insidious human vices, with a hero who is "e;one of the most …
Giles Goat-Boy
In this outrageously farcical adventure, hero George Giles sets out to conquer the terrible Wescac computer system that threatens to destroy his community in this brilliant …
Not-Knowing
The wildly varied essays in "Not-Knowing" combine to form a posthumous manifesto of one of America s masters of literary experiment. Here are Barthelme s thoughts on writing (his …
Giles Goat-Boy
In this outrageously farcical adventure, hero George Giles sets out to conquer the terrible Wescac computer system that threatens to destroy his community in this …
Collected Stories
When John Barth’s Lost in the Funhouse appeared in 1968, American fiction was turned on its head. Barth’s writing was not a response to the realistic fiction that characterized …