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What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by …
". . . a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help . . . those interested in …
"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to …
"A major Brecht play in an outstanding translation with an expert and up-to-date preface." -Eric Bentley "...a fine translation...Jones has handled Brecht's meters with great …
"Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written—a book that held my attention from beginning to end. It was a pleasure to read! …
"Every now and then a book comes along so startling in its ingenuity, so crisp and invigorating in its perception and argument, so revealing in its investigation of its subject …
John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to …
"[Wilshire] establishes a phenomenology of theatre, a theory of enactment, and a theory of appearance, none of which American theatre . . . has ever had." —Performing Arts Journal" …
" . . . insights and expertise which all together furnish a useful addition to Pinter studies." —Modern Language ReviewEssays by both scholars and theater artists examine the work …
"This is the first extended study I know of what the author calls a "Holocaust performative," . . . .[The author] asks what a "holocaust performative" might look like and how such …