for SSAATB unaccompanied Described by Peter James as one of Tomkins's 'most striking works', this setting of an anonymous devotional text appears in print for the first time. The …
for SATB unaccompanied This setting of the popular hymn to the Blessed Virgin Mary is typical of Pearsall's style, mainly homophonic with the occasional imitative section. It would …
for SSATB unaccompanied This piece (entitled Carmen Funebre) and Tu es sacerdos were cited as examples of good church music in S.S.Wesley's pamphlet about the state of church music …
for SSAATTBB and organ Organist of Trinity College, St John's College, and Professor of Music at Cambridge simultaneously, Walmisley is known today for his Evening Canticles in d …
for SATB and organ The second of the Society's Restoration Canticles series, this new edition of Wise's much-loved setting incorporates the rests between sections which appear in …
for S solo, SSATB & organ This edition celebrates the 200th anniversary of the composer's birth. The distinguished Wesley scholar, Peter Horton, has worked from the original folio …
for SSAATTBB unaccompanied In 1854 Pearsall arranged his madrigal Lay a garland to the text Tu es Petrus. Richard Shephard has taken up this idea and skilfully adapted Pearsall's …
for SSATB and organ This completes the Church Music Society's set of four pieces by Samuel Wesley which were much acclaimed by Vincent Novello. The striding bass line of the …
for SATB (with divisions) and organ The Church Music Society is proud to publish this mass setting by Anthony Caesar, written for St Paul's, K Street, Washington DC. The quieter …
