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Gods in the Bazaar is a fascinating account of the printed images known in India as "e;calendar art"e; or "e;bazaar art,"e; the color-saturated, mass-produced …
In Shooting for Change, Jung Joon Lee examines postwar Korean photography across multiple genres and practices, including vernacular, art, documentary, and archival photography. …
Following India's independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an "e;Indianness"e; representative of their newly …
In Probing Arts and Emergent Forms of Life Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it …
Arts in Earnest explores the unique folklife of North Carolina from ruddy ducks to pranks in the mill. Traversing from Murphy to Manteo, these fifteen essays demonstrate the …
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary …
During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this …
A trove of primary source materials, From Postwar to Postmodern, Art in Japan 1945–1989 is an invaluable scholarly resource for readers who wish to explore the fascinating subject …
During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this …
Gods in the Bazaar is a fascinating account of the printed images known in India as “calendar art” or “bazaar art,” the color-saturated, mass-produced pictures often used on …