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Selected by Choice magazine as an Outstanding Academic Book for 2000 Chinese glazes have been admired throughout history for their extraordinary qualities and colors--not least in …
Printing has become a common part of the ceramic artist's practice. From low-tech monoprints to digital laser decals, it is now possible to employ a range of techniques to print on …
Sawdust firing is a random and unpredictable technique which depends for its color and effect not on glaze, but on a direct relationship between clay and fire. This book …
In Introducing Pottery, international potter and teacher Dan Rhode shares more than twenty years of experience in a well-organized, fully illustrated volume. Rhode's comprehensive …
Like clay, all glaze materials come from the earth. Traditionally, stones, plants, and other natural materials provided the elements for ceramic surface decoration. In an age of …
Selected by Choice magazine as an Outstanding Academic Book for 2000 The practice of tin glaze spans thousands of years of history, from its inception in Mesopotamia, through its …
Kiln-forming as a technique to shape glass was in use for centuries before the Romans developed glassblowing, which has since become the more widely used method. Today, modern …
A growing number of ceramic artists now choose not to glaze their work. Instead, they use an unglazed--naked--surface to express their ideas and concerns. From slips and terra …
Traditionally potters fired their work either at low temperatures, as for earthenware, or at the high temperature that stoneware requires. However, a growing number of potters, …