for SATTB and organ continuo Continuing the Church Music Society series of Sweelinck motets, O sacrum convivium (O sacred banquet) is suitable for any Eucharist outside Lent. The …
for SATB unaccompanied This setting of the popular hymn to the Blessed Virgin Mary is typical of Pearsall's style, mainly homophonic with the occasional imitative section. It would …
for SSAATTBB unaccompanied Written in 1844 in thanksgiving for the preservation of the life of the Prussian King Friedrich Wilhelm after an unsuccessful assassination attempt, this …
for SSATB unaccompanied This piece (entitled Carmen Funebre) and Tu es sacerdos were cited as examples of good church music in S.S.Wesley's pamphlet about the state of church music …
for SATB and organ Wesley set this prayer from the Litany several times and this edition is based on the final one published in 1870. The simple chordal texture of the opening …
for SATTB and organ continuo Sweelinck's setting of the Beatitudes is suitable for any Saint's day or the commemoration of the faithful departed. For the words 'Blessed are they …
for S solo, SSATB & organ This edition celebrates the 200th anniversary of the composer's birth. The distinguished Wesley scholar, Peter Horton, has worked from the original folio …
for SATB unaccompanied From the composer of the highly acclaimed There is no rose, a set of responses that are already proving popular with church and cathedral choirs alike. They …
for SSAATB and organ William Turner was inspired by the acoustic of Wren's new St Paul's Cathedral and fully exploits it in this sumptuous anthem, which is the companion to his …
for SSAATTBB unaccompanied In 1854 Pearsall arranged his madrigal Lay a garland to the text Tu es Petrus. Richard Shephard has taken up this idea and skilfully adapted Pearsall's …
