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The Irish Drama of Europe from Yeats to Beckett
This study provides a European perspective on the drama of Yeats and of the Irish playwrights – Wilde and Synge, O’Casey and Beckett – who share in the achievement of creating a …
The Theatre of the Absurd
The ‘Theatre of the Absurd’ has become a familiar term to describe a group of radical European playwrights – writers such as Samuel Beckett, Eugène Ionesco, Jean Genet and Harold …
Building a Character
In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the …
Philosophy as Drama
Plato’s philosophical dialogues can be seen as his creation of a new genre. Plato borrows from, as well as rejects, earlier and contemporary authors, and he is constantly in …
Reviving Cicero in Drama
The influence of Cicero is everywhere to be found. His rhetorical and philosophical writings have made an inescapable impact on the history of western culture, impressing figures …
Gaslight Melodrama
In 1945, a year when American crime films were apparently moving out on to the streets of contemporary Los Angeles and New York, one reviewer noted the emergence of a 'cycle of …
New Drama in Russian
How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie …
Audio Drama: Podcasting, Community and Story
Audio Drama explores this rapidly evolving form of podcasting and storytelling that has surged into the mainstream. Lance Dann discusses how shows such as Blackout, The Cipher, …
Embodied Aesthetics in Drama Education
If it is a good thing to use drama for education, there must be something specific about drama that makes it good for the purpose. It has power of some kind: it makes things …