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Frans Hals
An illuminating study of the singularly gifted Dutch artist Frans Hals, a true revolutionary in the field of portraiture and one of the most sought-after painters of his generation …
National Gallery Catalogues: The Sixteenth-Century Italian Paintings, Volume 1
This highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, …
National Gallery Catalogues
The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many …
After Impressionism
Through the 1880s the very essence of representation, meaning and process in Western art were profoundly interrogated. Plausible representations of the external world were cast …
Saint Francis of Assisi
Exploring the life, imagery and lasting appeal of Saint Francis of Assisi (1182–1226), this landmark book features a core of important historic paintings representing the saint by …
Lake Keitele
In 1999, Akseli Gallen-Kallela’s Lake Keitele (1905) became the first Finnish painting to enter the National Gallery and is now one of the most popular pictures in the collection. …
The National Gallery
The National Gallery started life in 1824 when the British government purchased the collection of 38 pictures belonging to the estate of wealthy banker John Julius Angerstein. As …
Mantegna and Bellini
An innovative study of the relationship between Andrea Mantegna and Giovanni Bellini, two masters of the Italian Renaissance Andrea Mantegna (c. 1431–1506) and Giovanni Bellini …
Raphael
A definitive overview of one of the most celebrated figures of the Italian Renaissance Among the great figures of the Italian Renaissance, Raphael (1483–1520) is unarguably the …
Discover Manet & Eva Gonzales
The extraordinary story behind Manet’s portrait of his only pupil Eva Gonzalès, placed within the broader context of women painters of the period Edouard Manet (1832–1883) only …