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Alabaster Sculpture in Europe (1300-1650)
Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made …
Urnes Stave Church and Its Global Connections
Urnes is the oldest and best known of the Norwegian stave churches. Despite its rich sculptural program, complex building history, fine medieval furnishings, and UNESCO World …
Mapping New Territories in Art and Architectural Histories
Picturing Animals in Early Modern Europe
Do animals other than humans have consciousness? Do they knowingly feel and think, rather than simply respond to stimuli? Can they be said to have their own subjectivity? These …
Felsina Pittrice
In Bologna, Giorgio Vasari's maniera moderna is inaugurated through the art of the goldsmith-painter Francesco Francia (c.1447-1517). Malvasia assimilates the beginning of this new …
Visions of Medieval History in North America and Europe
Constructing Iberian Identities, 1000-1700
The Cult of Saints in Nidaros Archbishopric
The Pictor Doctus, Between Knowledge and Workshop
Grinling Gibbons and the Golden Age of Woodcarving
One of the greatest artists of the English Baroque, Grinling Gibbons (1648-1721) was born in Rotterdam to English parents. He moved to England at the age of nineteen and embarked …
New Perspectives on Abraham Bloemaert and His Workshop
The essays collected in this volume are devoted to the Utrecht painter Abraham Bloemaert. The artist has received considerable scholarly attention following the publication of the …
The Allure of Glazed Terracotta in Renaissance Italy
This book explores the role of glazed terracotta sculpture in Renaissance Italy, from c. 1450 to the mid-1530s. In its brightness and intense colour glazed terracotta strongly …