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CSET Theatre
Théâtre de Campagne: Première Série: Ernest Legouvé. Henri Meilhac. (Éd.1876)
Kastvindar
Hemligheter. Alla har dem, ingen vill att de avslöjas. Alex Storm, som blivit kriminell mot sin vilja, kämpar för att hålla familjen utanför sitt nya liv. Jessica Storm är skyldig …
Silenced Theatre
Since the Soviet occupation of 1968 censorship has closed the curtain on free expression in Czechoslovakia. But plays continue to be circulated in typescript within the country, …
Lettre a Monsieur de Crébillon, de l'Académie Françoise, Sur Les Spectacles de Paris
Lettre a monsieur de Crebillon, de l'Academie francoise, sur les spectacles de Paris; dans laquelle il est parle du projet de reunion de l'Opera-comique a la Comedie italienneDate …
History of the Theatre
Performance and Ecology: What Can Theatre Do?
In comparison with Literary Studies and Media and Film Studies, the disciplines of Theatre and Performance, with their strong anthropocentric heritage, have been relatively slow in …
Circé, Tragédie. Ornée de Machines, de Changemens de Théatre, & de Musique
Circe, tragedie . Ornee de machines, de changemens de theatre, & de musique . Par T. Corneille . Representee par la Troupe du Roy, etablie au fauxbourg S. GermainDate de l'edition …
Tudor Theatre
Consacree a la publication d'etudes sur le theatre de la Renaissance europeenne - et d'abord anglaise - et sur la culture qui le nourrit, la collection -THETA- se veut lieu de …
Spectatorship and the Real in French Contemporary Theatre
This book explores how avant-garde directors in French theatre play on their audiences' frustration to generate an encounter with the real.Focusing on the work of directors such as …
Theatre and Australia
How has Australia developed, culturally? What is the relationship between European theatre and Aboriginal performance? How do the concepts of memory, space, and love intersect and …
Navarasas, Autoethnodrama & DIY Immersive Theatre
Navarasas, Autoethnodrama & DIY Immersive Theatre is composed of two interwoven texts, each in dialogue with the other.Part I presents a distinctive autoethnodrama, dramatizing …