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The National and Beyond
The films of Aki and Mika Kaurismäki are part of a globalising Finnish cinema, challenging conventional parameters at every turn. This work examines the films that the Kaurismäkis …
Haunting the Left Bank
«A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and …
Cinema at the Shore
From Brigitte Bardot in her bikini at the Cannes Film Festival, to François Ozon’s intimate portrayals of grief and loss, some of the most iconic and challenging moments in French …
Thinking Images
The essay film – ‘a form that thinks’ – serves to create a self-reflexive space for contemporary society by challenging expectations and demanding the creative involvement of the …
Reframing the European Other
During the last three decades, Europe has undergone numerous periods of economic and political instability. The process of European integration, once hailed as a beacon of a …
Visual Anthropology in Sardinia
Visual Anthropology in Sardinia explores the technique, style and methodology of documentary films about Sardinia, investigating how such films construct different experiences and …
Crossing the Wall
More than twenty years after its collapse in 1989, the Berlin Wall remains a symbol of the vigour with which communist East Germany kept out the ‘corrupting influences’ of …
From Self-Portrait to Selfie
Self-portraiture is a singular form within the broad field of first-person film and video – not so much an account of the filmmaker’s intimate life as a representation of the …
Questions of Colour in Cinema
The Cinema of the Swimming Pool
The swimming pool frequently appears in film not merely as a setting but as a dynamic site where social, political, cultural and aesthetic forces converge. What is it about this …
Italy On Screen
This collection of articles arises out of the international conference ‘Italy on Screen’, held at the Institute of Germanic and Romance Studies, London, in February 2007. This …
Ripping Open the Set
French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film’s overall …