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John Cage and Peter Yates
The correspondence between composer John Cage and Peter Yates represents the third and final part of Cage's most significant exchanges of letters, following those with Pierre …
Luigi Nono
The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. …
The Musical Language of Pierre Boulez
Pierre Boulez is arguably the most influential composer of the second half of the twentieth century. Here, Jonathan Goldman provides a fresh appraisal of the composer's music, …
Schoenberg's Atonal Music
Award-winning author Jack Boss returns with the 'prequel' to Schoenberg's Twelve-Tone Music (Cambridge, 2014) demonstrating that the term 'atonal' is meaningful in describing …
Stravinsky and the Russian Period
Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of …
Alan Bush, Modern Music, and the Cold War
The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of …
Schoenberg's Twelve-Tone Music
Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a …
Music in Germany since 1968
Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following …
Harrison Birtwistle's Operas and Music Theatre
David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side …
Transformations of Musical Modernism
Profound transformations in the composition, performance and reception of modernist music have taken place in recent decades. This collection brings fresh perspectives to bear upon …
Prokofiev's Soviet Operas
Prokofiev considered himself to be primarily a composer of opera, and his return to Russia in the mid-1930s was partially motivated by the goal to renew his activity in this genre. …
Stravinsky's Piano
Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - …