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Overruled (Esprios Classics)
George Bernard Shaw (1856-1950) was an Irish playwright, critic, polemicist and political activist. Born in Dublin, he moved to London when he turned twenty. Having rejected formal …
Man and Superman (Esprios Classics)
Mrs. Warren's Profession (Esprios Classics)
George Bernard Shaw (1856-1950) was an Irish playwright, critic, polemicist and political activist. Born in Dublin, he moved to London when he turned twenty. Having rejected formal …
Heartbreak House (Esprios Classics)
You Never Can Tell (Esprios Classics)
The Perfect Wagnerite (Esprios Classics)
The Perfect Wagnerite: A Commentary on the Niblung's Ring (originally published London, 1898) is a philosophical commentary on Richard Wagner's Der Ring des Nibelungen, by the …
The Man of Destiny (Esprios Classics)
George Bernard Shaw (1856-1950) was an Irish playwright, critic, polemicist and political activist. Born in Dublin, he moved to London when he turned twenty. Having rejected formal …
The Philanderer (Esprios Classics)
George Bernard Shaw (1856-1950) was an Irish playwright, critic, polemicist and political activist. Born in Dublin, he moved to London when he turned twenty. Having rejected formal …
Caesar and Cleopatra (Esprios Classics)
Caesar and Cleopatra is a play written in 1898 by George Bernard Shaw that depicts a fictionalized account of the relationship between Julius Caesar and Cleopatra. It was first …
Pygmalion (Esprios Classics)
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913. Its English-language premiere took place …
Misalliance (Esprios Classics)
Misalliance is a play written in 1909-1910 by George Bernard Shaw. The play takes place entirely on a single Saturday afternoon in the conservatory of a large country house in …
The Shewing-up of Blanco Posnet (Esprios Classics)
George Bernard Shaw (1856-1950) was an Irish playwright, critic, polemicist and political activist. Born in Dublin, he moved to London when he turned twenty. Having rejected formal …