The Right to Play Oneself collects for the first time Thomas Waugh\u2019s essays on the politics, history, and aesthetics of documentary film, written between 1974 and 2008. The title, inspired by Walter Benjamin\u2019s and Joris Ivens\u2019s manifestos of \u201ccommitted\u201d documentary from the 19 0s, reflects the book\u2019s theme of the political potential of documentary for representing the democratic performance of citizens and artists.Waugh analyzes an eclectic international selection of films and issues from the 1920s to the present day. The essays provide a transcultural focus, moving from documentaries of the industrialized societies of North America and Europe to those of 1980s India and addressing such canonical directors as Dziga Vertov, Emile de Antonio, Barbara Hammer, Rosa von Praunheim, and Anand Patwardhan. Woven through the volume is the relationship of the documentary with the history of the Left, including discussions of LGBT documentary pioneers and the firebrand collectives that changed the history of documentary, such as Challenge for Change and ACT UP\u2019s Women\u2019s Collective. Together with the introduction by the author, Waugh\u2019s essays advance a defiantly and persuasively personal point of view on the history and significance of documentary film.
The Right to Play Oneself
av Thomas Waugh