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Kunsthistorie / kunst- og designstiler fra ca. 1900
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Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the …
A new and challenging perspective on Nazi exhibition design In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship …
Explores how Soviet architects reimagined the built environment through the principles of the human sciences During the 1920s and 1930s, proponents of Soviet architecture looked …
Beginning with the instance in 1912 when Marcel Duchamp wrote in a note to himself, "No more painting, get a job," Thierry de Duve reviews in Pictorial Nominalism the implications …
“Don’t start an art collective until you read this book.” —Guerrilla Girls “Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the …
For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements …
Offering the first comprehensive training in the visual arts grounded in abstraction, the Bauhaus was the site of a dazzling range of influential experiments in painting, …
How new media art informed by feminism yields important and original insights about interacting with technologies In A Capsule Aesthetic, Kate Mondloch examines how new media …
In Bill Stumpf’s incisive book, he argues that good design is not about fashion, but about quality of life. The ice palace of the title refers to an elaborate construction built in …
Changing how we look at and think about the color grey Why did many of the twentieth century’s best-known abstract painters often choose grey, frequently considered a noncolor and …