Considering an international array of video, sculpture, installation, photography, and web-based projects, this volume, the catalog for a recent exhibition at the Mildred Lane Kemper Art Museum, reveals the unique potential of art to further our understanding of, and give visual form to, modern drone warfare and digital surveillance. These essays illuminate how the drone embodies a far-reaching discussion about the rapidly shifting conditions of perception--of seeing, and of being seen--made possible by advanced technology. What is the relation of machine vision to human vision? And how do visual technologies affect our understanding of the agency of images, and of ourselves?
Featuring scholarly essays along with texts by contributing artists Trevor Paglen and Hito Steyerl, To See Without Being Seen is a perceptive contribution to the emerging literature on contemporary artistic practice, war, surveillance, and technology.