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Negotiating Copyright in the American Theatre: 1856–1951
Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space …
The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
We often know performance when we see it – but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research …
Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
Clean Break Theatre Company
Clean Break Theatre Company is a women-only theatre company that grew out of a prisoner-led drama workshop that took place between 1977–1979 in HMP Askham Grange. In addition to …
The Cambridge Companion to British Theatre since 1945
British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and …
Democracy, Theatre and Performance
Democracy, argues David Wiles, is actually a form of theatre. In making his case, the author deftly investigates orators at the foundational moments of ancient and modern …
Crisis Theatre and The Living Newspaper
Crisis Theatre and The Living Newspapers traces a history of the living newspaper as a theatre of crisis from Soviet Russia (1910s), through the Federal Theatre Project of the …
Utpal Dutt and Political Theatre in Postcolonial India
Among the most significant playwrights and theatre-makers of postcolonial India, Utpal Dutt (1929–1993), was an early exponent of rethinking colonial history through political …
Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
The Business of English Restoration Theatre, 1660–1700
Deborah C. Payne's ground-breaking study traces the historical origins of a dilemma still bedevilling theatre companies: how to reconcile audience demand for novelty with …