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Monsters and the Poetic Imagination in the Faerie Queene
Edmund Spenser’s The Faerie Queene (1590; 1596) is an epic romance teeming with dragons, fantastic animals, giants, grotesque human-animal composites, monstrous humans and other …
Comic Spenser
Once a byword for Protestant sobriety and moral idealism, Spenser is now better known for his irony and elusiveness. But this study argues that his sense of humour is still …
A Fig for Fortune by Anthony Copley
Anthony Copley’s A Fig for Fortune was the first major poetic response to Edmund Spenser’s The Faerie Queene. Written by a Catholic Englishman with an uneasy relationship to the …
Dublin: Renaissance City of Literature
Dublin: Renaissance city of literature interrogates the notion of a literary 'renaissance' in Dublin. Through detailed case studies of print and literature in Renaissance Dublin, …
Spenser and Virgil
Dubbed 'the English Virgil' in his own lifetime, Spenser has been compared to the Augustan laureate ever since. He invited the comparison, expecting a readership intimately …
Sir Philip Sidney: the Countess of Pembroke's Arcadia
Modern readers mostly know Sir Philip Sidney’s Arcadia in its complete ‘old’ version, but it is the New Arcadia (published in 1590), a revised version of his pastoral romance The …
Spenserian Allegory and Elizabethan Biblical Exegesis
Edmund Spenser famously conceded to his friend Walter Raleigh that his method in The Faerie Queene 'will seeme displeasaunt' to those who would 'rather have good discipline …
John Derricke's the Image of Irelande: with a Discoverie of Woodkarne
John Derricke’s Image of Irelande, with a Discoverie of Woodkarne is a key work of English print-making, Irish and English history and cultural misunderstanding. The work attests …
William Shakespeare and John Donne
This study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres …
Courteous Exchanges
Courteous Exchanges explores the significant overlap between Edmund Spenser’s Faerie Queene and Shakespeare’s plays, showing how both facilitate the critique of Renaissance …