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Pictures-within-Pictures in Nineteenth-Century Britain
Repainting the work of another into one’s own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images. …
Private Collectors of Islamic Art in Late Nineteenth-Century London
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, …
Male Bonds in Nineteenth-Century Art
Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers …
Race and Racism in Nineteenth-Century Art
Painters Robert Duncanson (ca. 1821-1872) and Edward Bannister (1828-1901) and sculptor Mary Edmonia Lewis (ca. 1844-1907) each became accomplished African American artists. But as …
The Paragone in Nineteenth-Century Art
Offering an examination of the paragone, meaning artistic rivalry, in nineteenth-century France and England, this book considers how artists were impacted by prevailing aesthetic …
The Société des Trois in the Nineteenth Century
This book reframes the formative years of three significant artists: Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler. The trio’s coming together as the Société des …
Utilitarianism and the Art School in Nineteenth-Century Britain
The mid-nineteenth century saw the introduction of publicly funded art education as an alternative to the established private institutions. Quinn explores the ways in which members …
The Wanderers and Critical Realism in Nineteenth Century Russian Painting
The rise of critical realism in nineteenth-century Russia culminated in 1870 with the formation of the Wanderers, Russia’s first independent artistic society. Through depictions of …
Scottish Art to the Close of the Nineteenth Century
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the …
The Gamin de Paris in Nineteenth-Century Visual Culture
The revolutionary boy at the barricades was memorably envisioned in Eugène Delacroix’s painting Liberty Leading the People (1830) and Victor Hugo’s novel Les Misérables (1862). …