Utställningskataloger & särskilda samlingar

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  • Alanis Obomsawin

    inbunden, 2022, Engelska, ISBN 9783791379234

    One of today's most important documentary filmmakers, Alanis Obomsawin has dedicated her life's work to shining a light on the injustices experienced by Canada's Indigenous

  • Munch in Dialogue

    inbunden, 2022, Engelska, ISBN 9783791378183

    While Munch's pessimistic, melancholy world view crucially defines our understanding of his work, many important postwar and contemporary artists have drawn inspiration from

  • A New Art

    inbunden, 2022, Engelska, ISBN 9783791379401

    In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris.

  • The Ronald S. Lauder Collection

    av , , m.fl.

    inbunden, 2022, Engelska, ISBN 9783791379302

    To celebrate the Neue Galerie’s twentieth-anniversary year, an exhibition will be presented of selections from the collection of its co-founder. The accompanying book continues

  • A Year in Art

    inbunden, 2022, Engelska, ISBN 9783791389110

    As functional as it is beautiful, this substantial book presents some of the world’s greatest art in an elegant package that will look good at home or in the office. Every day

  • Austrian and German Masterworks

    inbunden, 2022, Engelska, ISBN 9783791379531

    The Neue Galerie New York opened in November 2001, showcasing its collection of Austrian and German art from 1890 to 1940. This publication is issued in celebration of the museum’s

  • Surrealism and Magic

    inbunden, 2022, Engelska, ISBN 9783791378145

    Like no other 20th-century movement, Surrealism was keenly inspired by tropes of magic, myth and the occult. In their engagement with the irrational and the unconscious, numerous

  • The Shape of Freedom

    inbunden, 2022, Engelska, ISBN 9783791379487

    Following World War II, Western painting went in completely new directions. A young generation of artists turned their backs on the dominant styles of the interwar period: Instead