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One type of analysis cannot fit every play, nor does one method of interpretation suit every theatre artist or collaborative team. This is the first text to combine traditional and …
What is the relationship between 'body' and 'mind', 'inner' and 'outer' in any approach to acting? How have different modes of actor training shaped actors' experiences of acting …
A handbook of theatre workshops for actors, teachers and directors, by a leader in the field of physical theatre and researchThis is a book of theatrical beginnings for actors, …
Singing on stage can be a daunting prospect for actors, particularly for those who have not sung before. Yet singing should be an essential part of every actor's toolkit. Singing …
No one has had a greater influence on acting as we know it than Stanislavski. His 'method' - or interpretations of it - has become the central force determining almost every …
The bestselling guide for children and their parents, revised and updated for 2018 with new legislation and laws for performing children.Performing children have a very special …
Frustrating, nerve-wracking, job-winning or job-losing, flawed yet necessary - auditioning is a maddening business for everyone involved. The people behind the audition desk are …
Peter Brook was the most consistently innovative director in Western theatre. In these three essays he returns to the concept of his first book The Empty Space and examines what …
'Stimulating and intelligent' Yoshi OidaSeventy percent of everyday conversation is conveyed through bodylanguage, twenty percent is the voice and only ten percent is themeaning of …
Actors' Yearbook is an established and respected directory that enables actors to find work in stage, screen and radio. It is the only directory to provide detailed information for …