Vocal score of Franz Schubert's Mass in G (D.167), arranged for or a soprano solo and SATB choir with piano reduction of the orchestral accompaniment, and is Schubert's shortest …
O Jesu, Nomen Dulce is a motet of intimate work, full of rhythmic and harmonic subtlety, entirely shaped by the meaning of the words, arranged for unaccompanied SATB choir. It was …
Matthew Martin's setting of Ecce Concipies was written for Andrew-John Smith and the Choir of St. Peter's Church, Eaton Square, London. Matthew Martin was educated at Magdalen …
Hodie was written for Portsmouth Grammar School and is an ideal opener for Christmas concerts. The soaring vocal lines are underpinned by a rhythmic and harmonically rich organ …
Prepared from the composer’s autograph manuscript, Brian Newbould’s authoritative new performing edition of Franz Schubert’s celebratory Magnificat (D.486), arranged for an …
Written for the choir of New College, Oxford, Ut Unum Sint! (That they may be one) sets words from St John’s gospel in which Christ prays that all may be one. This was the title of …
Franz Haydn's delightful Missa Brevis in F Major was both one of his earliest and latest works: he originally scored it for soloists, choir and strings, and returned to it at the …
Lamentations 5 is an extraordinarily powerful setting of the Lamentations of Jeremiah. Antony Pitts’ harmony is always striking and he is forever creating captivating textures. …
Regina Coeli taken from Vladmir Godar's choral cycle Mater and arranged for accompanied SATB chorus. Godar’s large and varied output includes an oratorio, works for orchestra, …
