Medeltidens & renässansens musik (ca 1000 – ca 1600)
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First published in 1998, this volume brings together the most part of the author's work on medieval polyphony. The most significant advance in music during the period in the High …
By taking a thematic approach to the study of music appreciation, Music: A Social Experience, Third Edition demonstrates how music reflects and deepens both individual and cultural …
Winner of the Nicholas Bessaraboff PrizeMusical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is …
Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as …
Authorship is a pertinent issue for historical musicology and musicians more widely, and some controversies concerned with major figures have even reached wider consciousness. …
First Published in 1987. This study presents the background for the sacred musical patronage at the court, with specific reference to the polyphonic settings of the Mass Ordinary - …
This book tells three inter-related stories that radically alter our perspective on plainchant reform at the turn of the twentieth century and highlight the value of liturgical …
Investigating the interrelationships between orality and writing in elite and popular textual culture in early modern Italy, this volume shows how the spoken or sung word on the …
Antonio Gardano's publications are among the most important sources of 16th-century music. The second volume describes the output of this leading Italian music press in its …
This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia …