for SATB and organ or orchestra Novo profusi gaudio is a vibrant Christmas motet, setting a medieval text that combines English, Latin, and French words. This joyful account of the …
for SATB with piano and organ This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral …
for SATB and organ Written to commemorate the 500th anniversary of the death of the Foundress of St John's College, Cambridge, this celebratory setting is jubilant, melodic, and …
for SATB with divisions, unaccompanied This setting of texts from Cymbeline and The Merchant of Venice, and Sonnet 98, is characterised by inventive textures and vibrant …
for SATB (with divisions) Translated as 'Shining with light', Luce coruscas sets a hymn for Vespers on the Feast of the Assumption, followed by the poem 'Herself a Rose' by …
for upper voices (SSAA) and SATB (with divisions) unaccompanied This is an innovative, striking setting of the Magnificat text that is well suited to both liturgical and …
Not no faceless Angel is a beautifully reflective work. Originally commissioned by Joy Hill and the RCM Junior Department, the work is a sensitive setting of words by Tanya Lake. …
for SATB (with divisions) unaccompanied Ruchill Linn sets a text by the Perthshire poet Robin Bell. 'Linn' means waterfall and the poem meditates on a still spring evening at dusk. …
for SATB (with divisions) unaccompanied Jackson's Holy is the true light sets a text translated from the Salisbury Diurnal that emphasizes the solace of faith in times of conflict. …
for SSATB unaccompanied Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 …
